A summer had gone by since she’d written in the book, since she’d felt even the smallest glimmer of desire to look at it. From spring to autumn, it sat on the shelf hosting dust mite symposia and nothing else. More than a few of the mites had, in the process, acquired a deeper sense of meaning in their tiny lives just by perching on the cover, gnawing through the title page, while others still found simple contentment floating mindlessly in the sun beams that poured through Anna’s bedroom window.
It was November when circumstance finally pushed her back into the writing chair, when the silent approach of winter hung still in the doorway. Fall had come in a flash, almost without salutation. All at once the leaves yellowed and the skies grew awfully grey.
The day she returned to the book the weather proved rather mild. The wind moved like laughter through the air. And the moon had come out well before curtain call.
By this time, the Quartet had left House du Petit, no doubt in search of warmer climes–more specifically the climes of an invisible Hawaiian island, where, according to Anna, a stale apple pie spoke at length of humanity’s worst mistakes, and the honeybees were as big as your fist.
Meanwhile Anna had returned to the Midwest, hoping to lead some semblance of a normal life. The Shaman saw to it that she wouldn’t–and it was precisely his interference, an ongoing and increasingly vivid campaign of dream transmissions, that prompted her to sit down and finally write once more.
After all, the Book of Pie would not finish itself.