Musings In Brooklyn

In the glow of my tiny square Brooklyn bedroom, atop my golden brown sheets with its pink polka dotted comforter, I feel the crawl of ancient endorphins up my spine. To sit with this pain—to see her lying asleep in the blue moonlight, her brunette tresses scattered like sunrays across the pillow—is an odd sensation, which in the scheme of things serves only my art. And as quickly as it appears, the vision dissolves. The reverie fades, and I am again present with myself.

Our stories weigh the longer we have carried them. In the throes of it, or even those moments of latent sadness, it seems so real, and so inert. A stone within us. There was a time when we ached to remember who we were, on the other side of our wounds. But the scars never fade. They instead become stories. Tales of times far gone. And we hold them to our breast like our mothers did with us.

Eventually, however, we wish only to close the door on those memories—to leave them where they lie—and, if we so desire, have a laugh at the absurdity of it.

-2014, Summer

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Summer’s Passed

A summer had gone by since she’d written in the book, since she’d felt even the smallest glimmer of desire to look at it. From spring to autumn, it sat on the shelf hosting dust mite symposia and nothing else. More than a few of the mites had, in the process, acquired a deeper sense of meaning in their tiny lives just by perching on the cover, gnawing through the title page, while others still found simple contentment floating mindlessly in the sun beams that poured through Anna’s bedroom window.

It was November when circumstance finally pushed her back into the writing chair, when the silent approach of winter hung still in the doorway. Fall had come in a flash, almost without salutation. All at once the leaves yellowed and the skies grew awfully grey.

The day she returned to the book the weather proved rather mild. The wind moved like laughter through the air. And the moon had come out well before curtain call.

By this time, the Quartet had left House du Petit, no doubt in search of warmer climes–more specifically the climes of an invisible Hawaiian island, where, according to Anna, a stale apple pie spoke at length of humanity’s worst mistakes, and the honeybees were as big as your fist.

Meanwhile Anna had returned to the Midwest, hoping to lead some semblance of a normal life. The Shaman saw to it that she wouldn’t–and it was precisely his interference, an ongoing and increasingly vivid campaign of dream transmissions, that prompted her to sit down and finally write once more.

After all, the Book of Pie would not finish itself.

Muck

Whatever could be said

Of the two of them

Would not include

The true essence

Of their bond,

Nor what tore them apart.

The only way to look back

Was with fondness,

Unabashed remorse,

And a profound, incomprehensible yearning

That swept through them

On nights

When the full moon shivered

And the clouds formed tear drops

In the autumn sky.

All they could do was weep,

Or harden their hearts,

Whatever got them through

The dirty muck

Of separation.

The Nameless Sob

Came home last night and sat on my bed.

Got to thinking about my purpose.

Felt this immense amount of energy begin to move through me.

Up my spine.

Out my head.

I saw the star suspended above me.

It’s inconceivable light pouring down on me.

And in the ensuing silence,

The words, ‘please don’t leave me.’

Rose inside me,

Came to my lips,

From a place deep within.

And I sobbed the nameless sob

Until there was nothing left

But smeared mascara running down my cheeks.

There is a wound in me.

And last night it made itself known.